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"Every Frame A Rembrandt"

This book examines the art and craft of motion picture photography through a veteran professional cinematographer's personal experiences on five major motion pictures, each selected to illustrate a particular series of challenges for the photographer.

"Every Frame a Rembrandt" is an expression heard on sound stages and locations the world over. While in most cases the expression is used lightly and not infrequently with a certain amount of sarcasm, its true meaning speaks highly of most cinematographers' commitment to producing the best, most interesting, unusual and memorable images for the screen. Through the five films he selected for this book Laszlo is able to show the broad range of complexity in motion picture photography, from the relatively simple "point and shoot" in the typical western to complex in-camera effects. In recounting his "war stories" Laszlo is able to show the day to day activities of a cinematographer before, during and after filming the project, discussing equipment, film stocks, testing, labs, unions, agents, budget requirements, and working with the director and producer. The five films discussed are Southern Comfort, The Warriors, Rambo: First Blood, Streets of Fire, and Innerspace. The book is illustrated throughout with production stills from Laszlo's extensive collection (12 in a color insert).

Cinema Studies, Cinematography, Motion Picture Production

 

-Focal Press Publisher-

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Click the back cover to see production photos covering 50 years of cinematography

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"Footnote To History"

Synopsis
    In Footnote to History, Andrew Laszlo takes the reader from the "good days," the good life of a prosperous Hungarian landowner family before World War II, through the deteriorating conditions that culminated in the Holocaust. Through the eyes of a child growing up into young adulthood, experiencing and surviving those events and their aftermath, Laszlo does not devote his story exclusively to the horrors of the holocaust, which differentiates this book from others that describe the same period of history.

World War II, Nazi Occupied Europe, Hungary 1926-47

 

-University Press Of America Publisher-

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"The Seven Graces of God"

Rags to riches intrigue

Seven-year-old Mikail Mozkvoczny, a refugee of WWII arrives in New York in 1947. He is quickly Americanized and when his mother dies, finds employment as a cook in a local Diner. He wins the jack-pot — though this might have been fixed — on The Twenty-Four-Thousand Dollar Question television show and an all expense paid vacation to Rome. There he meets a beautiful woman, a second rate French con-man, Monsieur D’Arcy and his partner, The Albanian Spider, and an unscrupulous young priest, Father Mario, and gets involved with them in an ambitious gold heist, which ends in disaster. Returning to the US, he buys the Diner, and marries his childhood classmate, Emma Horowitz. They raise a family and she helps him chase down a crooked lawyer, who mishandled Mike’s uncle’s estate, and reclaim and use a sizable inheritance to build a vast restaurant and food chain empire.

 

-PublishAmerica Publisher-

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"It's A Wrap"

Adventures around the world spanning 50 years of filmmaking

 

 

-ASC Press Publisher-

 

When the expression “It’s a Wrap” is heard at the end of a long day’s filming it is often a welcomed and anticipated phrase. When it is heard before lunch, it’s a shock and without doubt prefaced by a highly unusual occurrence. Despite months of meticulous planning by the most experienced and seasoned film industry professionals, the only thing that can be anticipated during the filming of any project is the totally unexpected. Production can be brought to a standstill by events as mundane as an incorrect weather report, or by the more dramatic, such as actors portraying criminals being mistaken by the police for real criminals, the accidental sinking of a friend’s million dollar yacht or "artistic disagreements" between key personnel.

 

From above the Artic Circle to Rainforests of the Amazon to the even more dangerous back lots of Hollywood Studios, "It's A Wrap" chronicles the surprising moments, some amusing others less so, that during my 50 year career altered the course of productions as well as my life.

 

 

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CLICK HERE TO READ THE FOREWORD FROM "IT'S A WRAP"

 

 

A thirteen year old fisherman’s apprentice, Masahiro, from the islands of Shikoku, Japan, is shipwrecked by a Tai-fun. Two of his fellow fishermen are killed by the storm, but he and three others spend six months on Mujin-Shima, a small, barren, uninhabited island, surviving on birds Masahiro catches, and eggs he collects from the nests. They are rescued by an American whaling ship just before winter sets in and certain death on the island. They are horrified by their rescuers, the “barbarians,” who they believe are going to kill them. Instead, they are treated kindly and taken to Hawaii, from where they are to be returned to their homeland. But in Hawaii they are advised that returning to Japan, under the Shogunate’s policies would be dangerous, possibly deadly. In spite of his master’s advice, Masahiro decides to stow away on the American ship, but becomes ill in the chilly water while trying to find the ship in the crowded harbor in the middle of the night. The Americans, especially the ship’s captain, take a liking to him and nurse him back to health.

During the subsequent six month voyage, Masahiro, now known as John Mong—a name given him by the sailors—learns whaling, navigation, and masters the English language. The trip to America is filled with many exciting adventures; the King Neptune ceremony of crossing the equator; whaling; and recovering dead castaways from a storm in the hostile waters below the South American continent. He is traumatized by the loss of two of his close friends; one, in a brawl in a whorehouse in Conception, the other in an unexpected, severe ice storm that threatens to sink their ship, the Roger L. Leonard.

Due to an unfortunate misunderstanding, John Mong believes he is being taken to America to be sold as a slave, but instead, he is taken into Captain Higgins’ home in New Bedford, in the Commonwealth of Massachusetts.

America, a big and rapidly developing country in the mid eighteen hundreds, turns out to be fascinating for young John Mong. For the first time, he is attending school; a strange experience, as after having become a sailor, working on equal level with other sailors aboard ship, he finds himself sitting at a tiny desk in a one room schoolhouse with six and seven year olds. The children make fun of his looks and his lack of education, but he is determined to excel. He becomes his teacher’s favorite. His rescuer and mentor, Captain Higgins marries John’s teacher, and intends to adopt him, but the adoption process runs into a snag of racial prejudice. Venomous opposition comes from the Captain’s preacher, as well as from his long time friend and lawyer, and the mother of the girl, Violet, John is in love with. John, the only Japanese national living in the United States of America, realizes that no matter what, he will always be singled out, as a foreigner of “color.”

When he accompanies his benefactor, Captain Higgins, to testify before The Foreign Relations and Trade Committee in the United States Senate about Japan’s isolationist policies, John is asked by one of the Senators about his homeland. He is devastated to realize how little he knows about the country of his birth. For the first time, as compared with life in the United States of America, the hardships he lived under in his own country come to him with force and clarity. Having had no education as an underprivileged child, relegated him—as all under classes—to a hard life of oppression, fear and poverty, without any hope for a better future. An idea germinates in his mind; to return to the land of his birth someday and try to change all he now knows is wrong in the country of his birth, the Japans.

At the same time, John becomes more and more aware of inequities even in the United States, his second country he has learned to love. He is savagely attacked and brutally beaten, but recovers and goes on to complete his education at the Phillips Academy at Exeter in New Hampshire, and at the Institute of Advanced Mathematics, Navigation and Surveying in New Haven.  He sails around the world and is promoted to First Mate on the merchant ship, The Franklin. He faces further racial prejudice aboard ship and has to fight a racist bully to assert his equality and authority. He is forced to eat at a back table in a restaurant in Charleston and travel in a cattle car with African “coloreds.”

His idea of leaving family and friends, and returning to Japan matures in his mind, when he is contacted by his best friend and room-mate at the Phillips Academy, a fun loving, romantic adventure seeker, who invites John to go with him to seek their fortune in the goldfields of California. Getting to California turns out to be burdened with obstacles but the two manage to get to San Francisco, only to find that getting rich quickly, picking gold up from the ground is not as it was believed.

He meets a woman, Momma, the daughter of a Philadelphia preacher, now a prostitute in the mushrooming port of San Francisco, whose pimp, Mister Tudzin, arranges to get mining equipment and supplies, and joins John and Mike as a partner in seeking gold. Surprisingly, they strike a modest amount of gold, but as John planned, he decides to leave his friends and returns to San Francisco after a month in the gold fields. He intends to go to Hawaii to look for his fisherman companions, and in spite of the rumored dangers of harsh treatment, possibly even death by the Japanese authorities, to return to Japan. He is determined to bring all he has learned in the New World to the people of Japan. He is convinced that the ancient ways and traditions the Japanese people still live under, and Japan’s isolationist policies must be changed.

While he is arranging for his trip to Japan, news reaches him that his friend Mike and his partner, Mr. Tudzin, were killed after striking a rich vein of gold. But their gold reaches Momma who shares it with John. John is able to acquire a derelict whaler, which, abandoned by her captain and crew is about to be burned at sea to make room at the overcrowded port in San Francisco. He sails the ship to Honolulu and finds his friends who agree to return to Japan with him.

On making landfall on the island of Kyushu in Japan, John Mong and his expatriate friends are imprisoned, and tortured as “banjins” (traitors). John’s books, charts, tools, all his possessions are confiscated by the local Daimyo. But one little item, a daguerreotype photograph catches the interest of Lord Nariakira, high lord and ruler of Kyushu, and an influential member of the Shogunate. He befriends and learns to admire John Mong, who is known as Masahiro again. Masahiro is able to convince the high lord of the validity of all he came back to Japan to accomplish. With the help of his benefactor, he learns to read and write the Japanese language and begins translating his American books. His teacher, Michiko-san, a very beautiful lady of Lord Nariakira’s household becomes his wife. Masahiro is appointed as the high lord’s ‘consurataro,’ consultant, and is given the rank of Samurai. He builds a school, allowing all, even the children of the low-born to attend. His liberal activities and radical ideals of reform, all of which are in opposition to the philosophies of the Bakufu, the ruling council of Japan, places him, as well as his benefactor in great danger. He escapes an assassination attempt, and just as he miraculously finds his elderly mother alive. She dies shortly after seeing her son again after ten years of believing that he had perished in a storm at sea.

Masahiro, and his benefactor, Lord Nariakira are ordered to Edo to explain the radical ideas they are advocating and instituting. In spite of strong opposition by the Shogun and his ruling Bakufu, through clever political maneuvering and intrigue, Lord Nariakira and Masahiro succeed in bringing about the visit of Admiral Perry, and the opening of Japan. Masahiro is appointed to the Imperial court as ‘Advisor’ and given a present, a most beautiful woman, Katako-san, a Geisha from the oldest Teahouse in Kyoto, as his personal consort. During the week long festivities, celebrating Commodore Perry’s visit, Masahiro is relegated to the role of an unseen translator hidden behind a screen, but eventually, on insistence by Commodore Perry, his identity is revealed.

After returning to his home on Kyushu, Masahiro sees his son for the first time, born during his nearly one year absence, and finds his wife near death. She dies shortly and less than a year later Lord Nariakira is assassinated. Having lost his protector, Masahiro is imprisoned again by a vengeful Shogun, who sees his days of glory waning because of the changes Masahiro helped bring about. Eventually, news of his imprisonment reaches the Imperial Court in Kyoto and his release is ordered.

Years later, Masahiro marries his consort, Katako-san, who bares him two more sons and a daughter. Masahiro, continues his reforms, builds many more schools, including the Japanese Naval Academy, many libraries and hospitals, starts newspapers and institutes the country’s modern banking system with the aid of a fellow expatriate, whom he brings back to the new Japan.

In his old age he looks forward to a trip to the United States, as part of a trade delegation, but by this time he learns that his American parents, Captain Higgins and Miss Millie are dead, and most of the people he loved so much in America, are infirm, or also passed away.

Though for the rest of his life he is still shunned by some of his own countrymen, as a Banjin, and never officially recognized for his part in bringing about the monumental changes in the modernization of Japan, Masahiro lived to see all that in the words of his teacher, Miss Millie, made his life rewarding.

 

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